








感恩在这半个月里发生了好多的事情~
这里都是当中的一些劣作,
但他们都是我自信的作品~
感恩在人像的照片中成长了一点点,
虽然画面有些不足,
但这是上帝给我的恩典,
我要赞美祂~
感恩祂赐了我这份恩赐~
欢迎来到我的摄影世界~ 我们用眼睛来看世界 用相机来记忆世界 虽然我的摄影技术还没达到很高的水准~ 现在用着自己的小老婆7仔(D700)加上Sigma 24-70 虽然它们的重量有点“可爱” 算是甜蜜的负担~ 但是这些都是为上帝而做,及而拍 所以希望用着自己的7仔拍下上帝创造的世界及上帝给每人脸上幸福的微笑及味道~
ADDITIONAL PHOTOS by Nicole Young, Rich Legg & Other iStock Contributors
One of the most common problems facing new photographers – and some of us OLD photographers – is finding a great composition. Like pizza, it’s a matter of taste, but there are some fairly standard agreed-upon guidelines for a good composition. On March 20 I wrote a piece for the blog called Five Composition Tips – http://photofocus.com/2009/03/20/five-photo-composition-tips-twipphotocom/ I’ve decided to expand on this. I also want to note these are GUIDELINES, not rules. For each of these points you could make an opposite artistic argument. Go there if you must, but if you do, you miss the point of the list. Concentrate on the basics first, then you have earned the right to get fancy and ignore them.
1. Be clear on your subject. What story are you trying to tell with the photo?
2. Draw attention to the subject. This can be done by simply getting closer, by using selective focus, by using color, by lighting just the subject, by framing the subject in a doorway or window, etc.
3. Simplify. Simple is best. Remove anything that doesn’t help you tell the story.
4. When in doubt, leave it out. If there is something in your field of view that is not relevant to the subject or doesn’t somehow support the subject, get rid of it.
5. Check your negative space. Don’t leave too much negative space and when you do have negative space, be sure you use it right. Leave room for the subject in the frame unless you have a specific reason not to.
6. Fill the frame. You can rarely go wrong by filling the frame with the main subject. Many of the best pictures are the simplest ones. You don’t have to add background for the sake of adding background.
7. Check the edges of the frames. Don’t cut off feet or hands of your subject half way. If you want to exclude those appendages, make sure we know you meant to do so. Make a clean crop well above the wrist for instance if you don’t want to include the hands.
8. Check for intruders. Is there something popping into the picture from the side? Is there a tree branch, power line, telephone poll, etc., that creeps into the shot and steals attention from the subject? Re-compose and remove it.
9. Remember POV – Point of View. Shoot up on objects to make them more powerful. Shoot down on subjects to diminish them or make then look less imposing.
10. Use the rule of thirds. Draw a Tic-Tac-Toe board over your picture in your mind. Position the subject at one of the four intersecting corners in the grid.
11. When making portraits, always keep the eyes above the center line in the photo.

12. Strive for balance. Look at the composition and determine if there’s something out of place that tilts the viewer’s attention one way or the other.
13. The eye goes to the brightest part of the scene first. So don’t let anything in the photo other than the main subject be brighter than the subject.
14. Add depth by including strong foreground objects in shots where the background is also important.
15. Shoot vertically to enhance tall objects or to emphasize height. Shoot horizontally to emphasize width.
16. Use patterns, particularly repeating patterns to make pictures more interesting.
17. Use leading lines to attract the viewer’s eye where you want it to go.

18. Use S-curves or shapes as a more relaxed casual way to lead your eye through the composition. A road or a stream are good examples of this approach.
19. Start by shooting at your subject’s eye level. For example, get down low when making a child or animal’s portrait rather than standing over them and shooting down on them.

20. Make sure there is separation between multiple subjects to avoid unsightly merges.

21. Don’t center everything unless there’s a reason.
22. Don’t let the horizon fall dead center in the picture.
23. Don’t let the horizon cut through the head of any human or animal subject.
24. Don’t let the horizon merge with objects that are important to your image and make sure it is level.
25. Right before you make the photo take a second, look up, look down, look all around and make sure there’s nothing you’re missing
不过除了感恩

当晚上去救主堂参与他们的崇拜时曾经帮一位朋友拍照
结果拍好后他们就像文章里所说的一样
“照片几时给我?”
“尽量快点”
“不可以留底”
“你不会收我钱哦?”
“讲钱伤感情,就不用收啦~”
我呢?
只会给予微笑
心里想,
这样的生意我只会做一次
下次你再找我?
sorry 咯! 哇哈哈哈~
然而有少数的朋友
当我帮他们拍照的时候
他们却说
“咦,阿波没进来诶,叫别人帮忙我们拍下啦?”
“阿波,来拍照”
“宗波,我要和你拍张照好么?”
“能帮我和她/1他拍张照片么?谢谢你~”
然而当我听到他们这么说时,
我会告诉他们
没关系
只希望他们记得是谁拍的照片就好了~
而且我自己喜欢玩自拍~
自拍的感觉最好了~
:D






